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with layers of pale crackle glaze
Innovating traditional craft practices like flower pressing goes beyond methods
A faceted bowl thrown by hand in Akiko's London studio
Instead of drawing on paper I draw in space by using textile as a material
Kairagi Small Plate II edmond-byrne with layers of pale crackleA textured plate thrown by hand in Akiko's London studio, with layers of gentle crackle glaze. Each piece has a unique surface that illustrates the element of chance that is central to her processes. Made to be used. "Today, much of industrial production values consistency, precision and control. My work moves in the opposite direction, embracing variation as an essential part of making. I am currently researching why certain forms of fluctuation and
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